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Caterina Barbieri and Silvia Kastel at Re-Textured


Caterina Barbieri is a sonic inselberg rising above a seemingly infinite void of artlessness in this lamentable age of creative infecundity. Her music is innovative alimentation in this bland aeon of malnutrition. In a world near bereft of meaningful artistic endeavour, Barbieri's audio creations not only serve to give hope but nourish to unambiguous satiation.

It was my privilege to photograph Barbieri during her performance penultimately closing the multi-day, multi-location Re-Textured festival, organised by Krankbrother, the reason for my attendance. Re-Textured is a festival combining and celebrating experimental music, brutalist architecture, and innovative lighting. Semi-derelict art hub The Silver Building in London's Docklands served as the venue for its final day on March 31 2019.


Caterina Barbieri. Soundcheck.


It is with ease that one can source vacuous music; soulless formulaic music, empty, meaningless music; music designed to assault the encephalon rendering it effete and impotent. Such music abounds. Barbieri's music, however, is cerebrally stimulating and reverent. It is music of substance; music for introspection; it is beautiful music to accompany and catalyse the contemplation of the meaning of all existence.


The apparatus of acoustical high art.

Calibration.

The Green Room inside The Silver Building. I was first to arrive.

The view west from the Green Room: cable car system, the Millennium Dome (to give its proper name, and not to confuse it with a certain molecule), and the Canary Wharf financial district where bankers organise the enslavement of the masses, and the raping of the earth.

Looking up at a stairway.

Looking down at a stairway.

Caterina Barbieri during her live performance.

The Green Room ceiling.

A bicycle sans saddle.
Pre-show.

The elevated Docklands Light Railway was constructed literally inches from The Silver Building, as seen from the east side of the Green Room.

Looking up at a stairway.

Another view of the stairway.


Another exemplar in the field of experimental electronic music is Silvia Kastel, who also performed in The Silver Building. I was unfamiliar with Kastel's work prior to Re-Textured but am now joyous in discovering her innovative sonic blessings to the movement of air. Together, Barbieri and Kastel are at the forefront of contemporary music, and where, with respect to evolution, music should be in this modern age.


Silvia Kastel during her performance (colour corrected).

The performance room prior to Silvia Kastel's 4-hours DJ set.
Audience members circulated throughout the performance.

Preparing for a changing of discs (colour corrected).





Soundcheck preparations.

A DJ set prior to Barbieri's performance.

Mid-performance.

Barbieri played to a capacity audience (not shown).

Video display prior to Barbieri's performance.

Pre-performance tweaking.

Perhaps if music of substance were more prevalent it would help heal the world and elevate humanity from its current abysmal anoetic condition; to propel it away from its internecine, and its psychosis. All is vibration, ergo vibration brought about through design is one of the most potent harnessing of aethereal energy. Art is, potentially at least, communication of a very pure expression. It can be isolated from the various biological, social, and cultural distractions. Music is a conveyor of vibrational energy transporting information. It can be used for benevolence or for malevolence. From the musical sphere could come a significant impact in the move towards peace. Presently, the most promoted and popular music moves humanity further away from peace, towards disharmony. The responsibility to counter this lies with those of cognition and with the capacity to act accordingly.




Barbieri in silhouette.

Free Assange NOW! Protest with Roger Waters



Roger Waters, founding member of Pink Floyd, performed Wish You Were Here outside the UK Home Office on September 2 2019.  The performance was to protest the continued incarceration of Julian Assange, and campaign against Assange's extradition to the USA. Waters was in Venice two days later for the premier of his new movie Us & Them.

A bus drove past while Waters was speaking

Waters, reportedly in possession of some three hundred million pretend dollar tokens through his decades working in the music industry, spoke alongside acclaimed journalist John Pilger in favour of Assange.




Julian Assange is the founder of Wikileaks, an organisation that facilitates the confidential sharing of information from whistleblowers. Wikileaks has released large quantities of verified information exposing some of the copious crimes committed by governments and individuals involved in governments. As a result, Assange was falsely accused of rape in Sweden, and his extradition sought to that country. Clearly an effort to capture Assange for eventual extradition to the USA, Assange sought and was granted asylum in the London embassy of Ecuador, where he remained for some eight years.




Eventually, and following financial persuasion with respect to Ecuador's new ruling regime, Assange was physically removed from the Embassy by unquestioning, order-following violence facilitating drones working on behalf of the UK Government. He was subsequently convicted by a corrupt judge presiding over a corrupt court, and inhumanely incarcerated in  a Category-A prison. He was sentenced to 50-weeks captivity, and awaits an extradition hearing following further false criminal claims by the corrupt United States Government.


During the performance of Wish You Were Here. Waters performed only one song


  
Waters acknowledging the hundreds present for the protest and performance


If sent to the US, Assange would likely be confined to further inhumane conditions in a supermax for the remainder of his life, or until such a time when humans are emancipated from the oppression and enslavement of the criminal global cabal, and the psychopaths that control it.

Waters points to the Home Office, where corrupt perverts follow orders issued from the shadows while pretending to be democratic

It is the outrageous treatment of Assange that provoked Pilger and Waters to speak-out on his behalf; to call for his immediate release, and halt his extradition.

Waters is globally famous following the success of Pink Floyd, which has reportedly sold some 250-million albums since the late 1960s. Such a public performance by a musician of his stature would ordinarily command massive media attention, which was undoubtedly the point. However, the corporate mainstream media is controlled by the very same criminals Assange exposed through Wikileaks, ergo coverage was extremely light to say the least.




It is lamentable that the masses seem only to pay attention to important issues where glorified figures that have been utterly idolised have shone a light on them. It is further lamentable that invariably such idolised individuals raise awareness of issues entirely unrelated to the reasons they became famous. But this is the state of the human race. It is a race comprised overwhelmingly of unthinking big daddy-followers; of people that wilfully relinquish the onus of self-command unto specious potentates; those that would sooner die than think. To elevate any fellow animal to the position of a god due to a particular talent or appeal is not rational. The masses are irrational. That is why they tolerate constant lies from the media, and their enslavement by Government. Moreover, that is why they excessively revere actors, TV/media personalities, makers of music, and indeed anyone presented to them by the corporate media in a sustained and glorified way. Celebrityism is a disgusting phenomenon, albeit one that can be exploited for limited good upon occasion within this profoundly sick society.




Assange has been systematically vilified by the corporate media. He is presented as a cyber terrorist to the unthinking masses. Both sides of the manufactured right-left political paradigm have been manipulated to despise him. Where one that is despised is subjected to great injustice, those that despise him tolerate that injustice and come to view it as just and good. Such is the way of fools. Where injustice affects one it affects all. The Assange case threatens to set a very dangerous precedent.

The masses are overwhelmingly affected by Stockholm syndrome. They believe Government is their friend. They believe they have a say, that democracy is not a theatreshow to keep them falsely placated and thus impotent. The magicians of the global criminal cabal have perfected the black arts of social engineering and mass psychology. Assange is a symptom of this.


Waters performing  Pink Floyd's Wish You Were Here with support from seasoned musician Andy Fairweather Low

Assange's case is a warning from the puissant psychopaths to all others considering rocking the boat. Indeed that could well be why Assange came to prominence in the first instance. Reality is but a play. Anyone of any real prominence is a character in that play. Regardless, ostensibly, at least, Assange's case is beyond apparent. Moreover, the masses have been reduced to such a pathetic state of anoesis, apathy, and indifference, that the Establishment is increasingly brazen in its criminality. No longer does it bother to hide its crimes, as the masses are insensitive and oblivious to them and have reached peak cognitive dissonance. Without a miracle, the future is bleak.


Another bus drove past during Waters' speech

Many buses drove past while Waters was speaking

Journalist John Pilger giving his speech





"Free Assange," followed with "Free, free Assange," by the gathered in an eerily cult-like fashion

Wikileaks Editor-in-Chief Kristinn Hrafnsson confers with his videographer

Spot the bodyguards

Gabriel Shipton, Assange's brother, speaking during the event


Waters and Pilger have been friends since the mid-1980s


  
Waters hands his guitar to a gentleman who looks like an action movie baddie

  
Pilger speaks to Russian media following the event

 



This Blog Site Will No Longer Be Used

Blogspot/Blogger.com, owned and run by the despicable organisation Google (Alphabet), is a service I will most likely no longer be utilising...